Skip to main content

Graphic Design: The New Basics - Back to the Bauhaus, Beyond the Basics, Formstorming

Back to the Bauhaus
  • 1920s - institutions such as the Bauhaus in Germany explored design as a universal "language of vision - continues today.
  • Bauhaus promoted rational solutions (planning & standardisation) but today the focus is more on unique, idiosyncratic and customised designs. 
  • Modernism as well as systems that produce unexpected results. 
  • “Design is never reducible to its function or to a technical description.”
  • Postmodernism - don’t look for meaning in an image/object as people will cloud their interpretation with cultural biases and personal experiences.
  • Postmodernism emerged in 1960s but became a dominant ideology between the '80s and ‘90s.
  • Software designers describe the language of vision in a universal way.
  • Software organises visual material into menus to create tools that are universal e.g. InDesign is a software machine for controlling leading, alignment, spacing, column structures, image placement and page layout.
  • Transparency is used a lot more today than it used to be as well as layering.

Beyond the Basics
  • Technology now allows designers to control & create complex work flows from almost anywhere compared to the constant outsourcing that has to be done before the Macintosh.

Formstorming
  • "Formstorming is an act of visual thinking.”
  • To dig deeper & get fresher ideas, a classic exercise is to choose one subject and represent it visually 100 times.
  • Another exercise is to create a design-a-day for at least two weeks - time management.
  • Process verbs - turn verbs into design processes & outcomes e.g. touch, tear, turn, etc.

Comments

Popular posts from this blog

Graphic Design: The New Basics - Modularity

Every design problem is completed within a set of constraints or limitations. Modularity is one of these constraints. A module is a fixed element used within a larger system or structure e.g. a pixel. Breaking the rules of a standard design can produce a new response. Modular type can be made of anything. Think about the negative space around the letters. A calligrapher can freely adjust a character in relation to the marks coming before and after. A symbol stands for or represents objects, functions, and processes. Symbol systems are often based on geometric modules that come together to create myriad forms and functions.  Design Task 1 For this task, I used a grid to produce four letterforms with common characteristics. I then translated this into an image from physical objects. Design Task 2 In Illustrator, I used a square, a rectangle and a quatre-circle to make the alphabet, experimenting with letterforms. Design Task 3 I created all the char...

Graphic Design: The New Basics - Time and Motion

Motion is a kind of change, and change takes places in time. Time and motion are considerations for all design work. Any still image has implied Motion, while motion graphics share compositional principles with print.  Animation encompasses diverse modes of visible change. Alternative modes of change: scale, transparency, colour, layer, etc. A word or design element can stay still while the environment around it changes. A motion sequence is developed through a series of storyboards, which convey the main pages and movements of an animation. Cropping a shape can suggest motion, just as diagonal compositions do. Complex and subtle behaviours are created by using different modes of change simultaneously. When animating type, the designer must pay special attention to legibility and reading order - context is important. Storyboards summarise key content/moments of an animation's events. Interactive logos and graphics are another aspect of motion design.